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Bernini: Sculpting in Clay argues for the centrality of modeling in clay to Gian Lorenzo Bernini’s total conception of sculpture (also reviewed here in caa.reviews), ranging from the placement of one or more bodies and their limbs in space, down to the treatment of folds of drapery, locks of hair, and the articulation of the elasticity of flesh—regardless of whether the intended sculptures were to be cast in bronze, carved from marble or travertine, or modeled in stucco. Bernini sought to
Bernini: Sculpting in Clay: Near Fine Hardcover (2012) 1st Edition.
Clay Conversation
Bernini's Beloved
Bernini Sculpting in Clay, at the Met, closed Jan. 6 2013; at the Kimbell, Fort Worth, February 3 – April 14, 2013 - New York Arts
Bernini Sculpting In Clay
Visible traces of the sculptor can be discerned in this freely modelled bozzetto (clay sketch) for the crowning element of a pump: fingerprints, sharp, deep grooves and tiny holes made by
The First Twists That Made Marble Move (Published 2012)
Bernini hangs around for an encore: Kimbell Art Museum extends the show into May
Travel Inspiration Bernini Sculpting In Clay
Bernini Sculpting in Clay Fine hardcover catalog Metropolitan Museum of Art Book 9781588394729
Bernini: Sculpting in Clay (Now Closed) - Art Museum in Central Park
Bernini Sculpting in Clay Fine hardcover catalog Metropolitan Museum of Art Book
Bernini and Clay: Lessons from an exhibition
WORKSHOP OF GIANLORENZO BERNINI (1598-1680) ITALIAN, ROME, LAST QUARTER 17TH CENTURY, THE BLESSED LUDOVICA ALBERTONI, Master Paintings & Sculpture Day Sale, 2019