Bernini: Sculpting in Clay

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Bernini: Sculpting in Clay argues for the centrality of modeling in clay to Gian Lorenzo Bernini’s total conception of sculpture (also reviewed here in caa.reviews), ranging from the placement of one or more bodies and their limbs in space, down to the treatment of folds of drapery, locks of hair, and the articulation of the elasticity of flesh—regardless of whether the intended sculptures were to be cast in bronze, carved from marble or travertine, or modeled in stucco. Bernini sought to

Bernini: Sculpting in Clay: Near Fine Hardcover (2012) 1st Edition.

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Bernini Sculpting in Clay, at the Met, closed Jan. 6 2013; at the Kimbell, Fort Worth, February 3 – April 14, 2013 - New York Arts

Bernini Sculpting In Clay

Visible traces of the sculptor can be discerned in this freely modelled bozzetto (clay sketch) for the crowning element of a pump: fingerprints, sharp, deep grooves and tiny holes made by

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Bernini hangs around for an encore: Kimbell Art Museum extends the show into May

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Bernini Sculpting in Clay Fine hardcover catalog Metropolitan Museum of Art Book 9781588394729

Bernini: Sculpting in Clay (Now Closed) - Art Museum in Central Park

Bernini Sculpting in Clay Fine hardcover catalog Metropolitan Museum of Art Book

Bernini and Clay: Lessons from an exhibition

WORKSHOP OF GIANLORENZO BERNINI (1598-1680) ITALIAN, ROME, LAST QUARTER 17TH CENTURY, THE BLESSED LUDOVICA ALBERTONI, Master Paintings & Sculpture Day Sale, 2019